Reslo Microphones
 2-Balliol-web.jpg)
Classic Blumlein technique… a pair of Reslo microphones at the rehearsal of a concert by the Schola Cantorum of Oxford in Balliol College Hall. We used laboratory clamps to hold the microphones in the correct position (March 1969). [Recordings: Madrigals by Thomas Weelkes, C236/58-60; Weelkes, and songs from the Court of Henry VIII, C236/119]
 1Trinity-1-G-web.jpg)
Sometimes we couldn’t put the microphone stand on the floor, so had to improvise. At Trinity College Hall, the microphones are fixed to a chandelier….(February 1969)
 1-Trinity-4--G-web.jpg)
…which is then raised to the ceiling. The Reslos are visible below the central boss of the chandelier.
 3-MOMA-G-web.jpg)
The Reslos are equally at home in the Museum of Modern Art for a jazz gig (February 1970).